A close-up of a colorful square

Richard Paul Lohse was a prominent figure in the Zurich Concrete Art movement, alongside artists such as Max Bill, Verena Loewensberg and Camille Graeser. His abstract works, such as Grün – Rote Gruppe mit violettem Zentrum (1954/1974), feature grids of colored squares with modular and serial components. Lohse arranged these elements individually or in groups, usually in contrasting color-chains running next to each other.

Lohse’s process, in which he employed structures designed to standardize visual elements, adhered to rigorous systems. Rejecting subjective expression, he sought to create a universal visual language grounded in mathematical precision and order, energized solely by color relationships. His methods removed hierarchical structures, reflecting his belief in social progress and democratic ideals.