A group of black and white dots

John Armleder, whose influential career spans over 40 years, is regarded as one of Switzerland’s leading contemporary artists. His distinctive artistic practice, ranging from sculptures and paintings to film and curating, continuously bridges the gap between fine art and popular culture. The UBS Art Collection and Armleder have a long history of collaboration dating back to the early 1990s. The large-scale commission, Agenda (2018), is installed at the entrance of UBS’s Zurich Headquarters, Bahnhofstrasse 45.

In the 1980s, Armleder began exhibiting in New York, establishing a dialogue with artists, such as Peter Halley, who utilized geometric abstraction in their work and were associated with the local Neo Geometric Conceptualism or Neo-Geo art scene. Armleder also interacted with Swiss artists Olivier Mosset and Helmut Federle, both linked to the movement. Around that time, he began incorporating the dot motif into his paintings, including Untitled (1983), drawings, prints and various objects. Through his approach to appropriation, Armleder elevated the simple placement of dots from abstract compositions to a system of representation emphasizing order and repetition. He later developed his signature, more expressive style of art exemplified by his Pour Paintings, which he created by pouring paint directly on canvas.