Fall Favorites
UBS Art Collection artists to see around the world

UBS Art Collection artists to see around the world
As the summer season comes to a close, we’ve gathered a short list of must-see exhibitions to guide you into the fall period. All featuring artists represented in the UBS Art Collection, the following exhibitions around the world are a testament to the breadth of the Collection as well as the dynamism of the global art map. Plot your museum miles: we begin in New York, hop to London, take a Swiss detour and finish in Seoul.

Gibson transforms The Met’s Fifth Avenue exterior with his Genesis Façade Commission, The Animal That Therefore I Am, an installation of four large-scale figurative sculptures that combine Indigenous worldviews with radiant color, pattern and text. The outdoor, public-facing artwork is the sixth project in the Met’s façade commission series, and it turns a landmark into a conversation about community and our place in the natural world.
Timed to the artist’s centennial, this focused presentation gathers more than a dozen key works, from masterpieces of the Guggenheim’s collection to major loans from the Robert Rauschenberg Foundation. A highlight of Robert Rauschenberg: Life Can’t be Stopped is the monumental 32-foot Barge (1962-63), returning to New York for the first time in 25 years. Expect a brisk tour through the artist’s radical materials and media inside Frank Lloyd Wright’s spiraling icon.

Annie Leibovitz’s landmark project Women — originally created with Susan Sontag — returns this fall in a newly expanded two‑volume edition. A pop‑up at Chelsea’s Studio 525 puts the portraits back on display, pairing the photographer’s unmistakable images with an intimate, event‑driven format. Check the venue for dates and details as programming rolls out alongside the book tour.
Doig turns Serpentine South into a listening space in his freely accessible presentation House of Music, weaving new and recent paintings with sound for the first time in his practice. Rare, restored cinema speakers hum with the artist’s own selections, making this a multi‑sensory exploration of Doig’s practice — part studio, part cinema, part memory loop.


The UK’s first museum exhibition devoted to Thiebaud, American Still Life, zeros in on the luscious still lifes — cakes, gumball machines, deli counters and all things discarded as kitsch that made his name. Don’t miss the vibrant, concise, scholarly introduction to an American post-war original at Somerset House.
Swiss artist Klodin Erb’s largest institutional solo to date is an exuberant, theatrical sweep through paintings, textiles, film and installation. Enigmatically titled Vorhang fällt Hund bellt (Curtain falls Dog barks), the exhibition, which includes five works on loan from the UBS Art Collection, is an ode to metamorphosis that even offers multiple “entrances” into her universe.


A major mid-career survey of South Korean artist Lee Bul, From 1998 to Now, brings together roughly 150 works, from seminal Cyborg sculptures to the architecturally scaled Mon grand récit installations. Co-organized with M+ (Hong Kong), the exhibition charts bodies, technology and utopian dreams across decades.
Bradford’s first solo in Korea, and his largest show in Asia to date, Keep Walking surveys two decades of the Los Angeles-based artist’s characteristic “social abstraction,” from billboard paper and beauty‑shop endpapers to monumental canvases and immersive floor works.